1/1/2023 0 Comments Les trois mousquetaires 1961![]() ![]() When d'Artagnan defends Mme Bonacieux against a couple of the cardinal's thugs, the director does not only use dramatic sound effects but furthermore lets Barray's punches look more explosive by taking out frames very precisely when he is about to hit. But of course Borderie also knew how to present a fist fight. In comparison to the likewise brilliant fencing the dancer Gene Kelly ( An American in Paris, Xanadu) had provided as “d'Artagnan” in an earlier adaptation, the fencing in this film looks less like dancing and more dangerous. Since Bernard Borderie had already made several Lemmy Caution films he was an expert for fighting scenes. ![]() Bernard Borderie and his crew demonstrated here already the qualities which later contributed substantially to the success of his series of five costume drama films about Anne Golon's heroine Angelique. The settings, costumes and props are very elaborate and provide the impression of historic accuracy. The film's remarkable location shots were made in Bois de Boulogne, around and in the Château de Guermantes in Seine-et-Marne and in Semur-en-Auxois (department Côte-d'Or). The director treats all the classic characters with respect, not making fun of any of them, although there is humour when d'Artagnan rides his peculiar horse and when Planchet supplies wine for the heroes. The script keeps close to the classic French novel. Under the pen name Francey, he was present in Line (1958), J2 Magazine (1965) and in the Lancelot pocket book (1961).The Three Musketeers is a 1961 film adaptation of the novel by Alexandre Dumas, père which consists of two parts. One of the most prolific artists the Opera Mundi agency in the 1950s, he did a large amount of comic adaptations of novels, including 'Les Trois Mousquetaires' (730 strips), 'La Dame de Montsoreau', 'Anna Karénine' and 'Le Bossu' (1001 strips), mostly published in France-Soir, L'Aurore, Le Parisien Libéré and the regional press. ![]() Header for Les Trois Mousquetaires (Le Samedi, 1950-51) For the publishing house Ray Flo, he assumed the pseudonym Monchas and made series like 'Jean Lynx' (later continued as 'Flèche d'Or') and 'Les 2 Risque-Tout'. He was present in Paris-Jeunes with 'Titi' (1946) and in Donald with 'Réseau Mystère' (1948). Jean Lynx - Le Bungalow Maudit (Le Samedi, 1951) Ironically, after the liberation, he made 'Mandrin' for Vaillant, a magazine published illegally during the War. In 1943, he made the pro-Nazi espionage strip 'Marc le Téméraire' for the collaborating magazine Le Téméraire. He made his comics debut in the following two years, drawing 'Bertrand le Preux' in Les Grandes Aventures and 'Nous les Gosses' in Gavroche. Jean Lynx - Terreur au Cirque (Le Samedi, 1951)įrancis Josse began his career in 1940 by doing cover illustrations for Fillette. ![]()
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